Wednesday, August 12, 2009

Funny People (2009)


I have to say that this was a disappointment, and that it, too, deserves another viewing. For a few reasons, but the main one is because I saw the movie in an empty theater. It’s hard to laugh out loud like you want to at the cinema when it’s a quiet (and cold!!!) empty room. The echo of your own laughs makes you feel lonely.

But Judd Apatow’s third feature leaves its most serious subject to go on an hour long subplot that is frustrating in its intentions and quite worthless. The first hour, however, is quite good, and on par with Apatow’s best. Who else can talk about death and penises? But what’s frustrating is that George Simmon’s near-death experience is only that. A spoiled asshole of a man comes close to death, and that’s about it. There’s no catharsis in that situation, no feelings of redemption or hope. Only a man who almost dies, remains an asshole, and never thanks anyone for his luck or resolution. He is a dick to Ira (Shmyra) and then tries to steal his old flame back from a much nicer man. Everyone in the Apatow universe has a problem, but George won’t admit of his problems. He’s just not very likeable. But I don’t think that this movie is bad. It has grand aspirations, and it’s smart, well-written, and (this is key), funny. But compared to Knocked up (2007), which I still think is a masterpiece, this movie doesn’t hold up.

I resort back, quite often, to the rule of thumb from Matt Stone and Trey Parker. They believe, and I do too, that their best episodes of South Park came when they focused specifically on one idea. When they started combining storylines into a twenty minute episode, the plots felt too sparse and rushed. Apatow should consider this, because I think he has two movies piled into this one. The stand-up idea is quite good, and possesses much more material that didn’t make it into this movie. I could tell that Apatow cut a lot out so that he could fit in the other stories into this mess of a movie. There seems to be about three plots going on, and this one ain’t Pulp Fiction.


But But But. THe first sequence of this movie is stunning. Putting this in the movie was quite brilliant of Apatow, but the movie never again seems to reach the high notes of four guys just making jokes in an apartment room.

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